Motion design scenography

The assistant director is the director’s closest collaborator, responsible for planning film or TV program shoots and ensuring they run smoothly at every stage. During the preparation phase, the assistant director breaks down the production plan or script, writing the technical sheets and drawing up a shooting schedule alongside the production manager. During shooting, they adjust scheduling, organize the staging, draw up the call sheet, and oversee the hiring of extras where necessary.

The production manager is the central link in the team, the point of contact between the producer and various other people—directors and stage directors, floor managers, set designers, technicians, performers and agents, suppliers and service providers, government bodies and financial backers—all of whose aims, constraints and language they must make their own.

Working under the producer, they ensure that projects are thoroughly planned and run smoothly, with sound financial management and no legal hiccups. They coordinate and occasionally manage teams of permanent staff and short-term contract workers, and are responsible for safety through the implementation of risk prevention plans.

The screenwriter writes or co-writes scripts for film or TV dramas and documentaries, either from an idea of their own or one suggested by a director or producer.

During the development phase, they transform this idea into the storyline of the drama or documentary, or they may write a number of drafts to hone it into an agreed format for the final script and dialog. They may make changes to the script throughout the various production phases, right up until shooting.

The director gives a film or audiovisual program its shape. They are involved in setting up the project, direct the filming, and steer editing and mixing choices in post-production.

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